Etching and some drawings

Another work in etching. A copper plate covered with a special varnish. A drawing is made on that varnish layer (in this case an imaginary portrait of the poet Fernando Pessoa holding a smartphone). The etched plate is bathed in acid – it burns the copper plate where the varnish was etched. The whole layer of varnish is removed by a solvent and the etched copper plate is inked. Excess ink is removed and a print is made.  A sample of the etched copper plate  and the resulting final print.

Drawing session last Monday

Some fast sketches of live models, brown chalk on paper

Aquatint

The Mermaid nun again. With the same copper plate used for the first etching print, an experiment trial of aquatint technique was tried. Three different layers of varnish were used, with the copper plate being “bitted” by acid in the intervals, Finally, blue ink was spread on the copper plate and the print was made.

This technique allowed in this case three diferent tonalities of blue ink to be printed. It is possible to do more, if one has the patience to repeat the varnish layers and acid exposures.