By the river

Saturday afternoon, South bank of the Tagus. People gather there to meet, eat and drink.

Some people prefer to be left alone. A moment of rest to settle ideas and feelings

Others  choose to dance. A group of friends, or more probably an informal dancing class. They bring their own music and dance in pairs. One of them directs the others, giving instructions before each music sometimes correcting their movements. They seem to take this quite seriously – but they share and communicate a lot of joy.

Some people make and play their own music…

… while others sit and talk, probably about the good old times

Time portals

An exhibition commemorating the 50th anniversary of the April Revolution and the end of the colonial wars in Africa. Seven artists created images on very large semi-transparent canvases, installed in the abandoned buildings of the largest ship repair industry in the Lisbon area.

There is visible light from the roof windows coming in through the canvases.

Puppet theater

June 13th was Lisbon’s municipal holiday – and that day coincides with the date of birth of the painter Maria Helena Vieira da Silva (1908-1992). There was a celebration at the Arpad Szenes-Vieira da Silva museum and in Amoreiras Garden, in front of the museum. As I passed by I noticed a group of children watching a puppet show.

It’s nice to see children looking at a something alive instead of being mesmerized by a screen…

The Soap Factory

There is a small beach on the Tagus bank, between two cliffs, just west of the 25th April bridge. In the XIX century there was a soap factory there, today only its ruins remain. To get there it is necessary to take a steep path, not easy to find. At the river level we can found two chimneys, parts of the brick walls, lots of rubble and the opening of an old furnace. The place is invaded by briars and thorny wild weeds. The pillars of a former pier are still visible protruding from the water. Some fishermen take advantage of that place, they keep there a small boat and their fishing gear.

Salt

Reviewing some old negatives from more than 15 years ago, I found some images from the salt pans of the Tagus South bank.  They seemed abandoned then, probably they are now out of business. But old tools and machines were still there, and also the big salt mounts – as if the people working there had suddenly gone away. Some boats were on the river – and seagulls too, of course…

Trafaria

Trafaria is a small fishing harbour on the South bank of the Tagus. It is the last river port  before the sea.  Fishermen use small motor boats to place or bring in the nets that they leave overnight at the mouth of the river, or in the sea near the coast. There are always some of those  boats arriving or leaving. A huge silo was built by the water, and big cargo ships often stop there to be loaded with grain. It is not a tourist spot but it is a pleasant place to take a meal by the river. Seafood is excellent and the restaurants, although not very sophisticated, are very popular.

Caritas romana

Enjoying a walk in the Botanic Tropical Garden, in Lisbon, I was surprised by this unnusual statue of a woman breast-feeding an adult male.

    I looked for information about this sculpture.  This baroque statue was made in Rome by Bernardino Ludovici in 1737, and brought to Lisbon by king Joao V. “Roman charity” is a classical greco-roman theme, and it is based on the story of a woman trying to save her own father, condemned to death by starvation, by secretly breast-feeding him.

As you can imagine, a variety of interpretations of this subject can be found, some of them very creative…

Pastoral

Reviewing my old photos, I found one that matches a well-known poem by William Carlos Williams

Pastoral

by William Carlos Williams

When I was younger
it was plain to me
I must make something of myself.
Older now
I walk back streets
admiring the houses
of the very poor:
roof out of line with sides
the yards cluttered
with old chicken wire, ashes,
furniture gone wrong;
the fences and outhouses
built of barrel staves
and parts of boxes, all,
if I am fortunate,
smeared a bluish green
that properly weathered
pleases me best of all colors.
No one
will believe this
of vast import to the nation.

from The Collected Poems of W.C. Williams, New Directions

Our ruins will never be so beautiful as the ruins left by our ancestors”. I don’t know the author of this statement but there is some truth in it. But we won’t be here long enough to confirm it.

Ruins are fascinating – they open a vast field for the imagination and they show that  some things take  longer to be destroyed than they took to be built. Below are the ruins of a sanatorium, from a century ago. It was never completed, and now those stones remain in a field of wild weeds.

Analog Photo Festival

My submitted six photos were accepted for the exhibition currently taking place. The subject was “Freedom”. Here they are

Two groups of friends, with a peaceful river or a flying bicycle

A boy trying to run from his family – and to escape from the limits of the photo

An open space to breathe – or simply to contemplate

And the “Shtandart” a modern replica of an ancient Russian vessel. I was told that she is forbidden to return to St Petersburg, from where she left years ago. She is sailing around the world, teaching nautical and sailing crafts to young people. Forced freedom, to some extent, not being allowed to return home…