Etching

And now I am learning etching techniques. My first etching: taking a waxed/varnished copper plate I made a drawing on it with a sharp steel  point

The plate was dipped in acid and after that the wax was removed. The drawing on the copper surface is evident.

The plate was covered with ink, and the superficial coat of ink was mechanically removed by hand

The ink was left on the previously engraved grooves

The inked plate was placed on the printing press

And coverd with a moist sheet of paper

The heavy cilinders of the press were moved

Et voilá !!! The complete sheet and the image In detail .  I can cal it “The Mermaid Nun”

A very interesting technique, especially considering that it is done as it was five centuries ago. The initial drawing on the waxed copper plate is quite tricky, but it can certainly be improved.

Next step will be to perform an “Aquatint” techinique on this same etching.

A visit to the Art Center

A visit to the Gulbenkian Modern Art Center to see some works of a Portuguese/Brazilian artist Fernando Lemos.

https://en.wikipedia.org/wiki/Fernando_Lemos

Great overview of hist vast production, in photography, painting, engraving, drawing, poetry. A small sample from one of his sketchbooks

“Freedom to go and return without punctuality”  “Vanish at any age” “Resist to ill will”

The venue of the Art Center is outstading

Ruins (part 2)

Some months ago I posted a few photos of  the ruins of a Sanatorium from the beginning of the last century.

The building was never  completed, as the owner , a former wealthy entrepreneur, went bankrupt . The remains of the building were remarkably well preserved, no garbage or signs of depredation were visible. The stone walls stood there seemingly indifferent to the passage of time.

Now the bad news: the hundred-year old stone walls were demolished by the current owner, Some sort of hotel will be built there, according to what I know. Another loss… Human actions have more destructive power than the passage of time.

Graffiti jam (Part 2)

A long street was finally embelished wit a variety of graffiti and mural paintings along its decaying walls. I went there yesterday and took some photos.

The artists were invited by the City Council and they were given total freedom to paint whatever they wanted. This a good way to change an uninteresting (even depressive) street in a sort of public art gallery.

“Boxing Clash #2”, an amateur boxing match between Portuguese and Italian teams in a Gym near Lisbon, Lots of enthusiasm, some agressivity and violence to an acceptable level (no serious injuries, no bleedings). Not being a fan or an expert, it was an interesting experience to me. I was surprised by the high number of women watching the match – and by their vocal incentives to the fighters.

Our ruins will never be so beautiful as the ruins left by our ancestors”. I don’t know the author of this statement but there is some truth in it. But we won’t be here long enough to confirm it.

Ruins are fascinating – they open a vast field for the imagination and they show that  some things take  longer to be destroyed than they took to be built. Below are the ruins of a sanatorium, from a century ago. It was never completed, and now those stones remain in a field of wild weeds.

This week-end , the Vinyl Market at Campo de Santa Clara, Lisbon. Good chance to find some good old 12’ LP records – and many memories. I found a few records I did not knew, and many others I had forgotten. Bad photo (made with a re-loaded disposable plastic camera).

A few findings. The Jimi Hendrix  Experience “Electric Ladyland” double LP (I had it forty years ago – someone stole it from me) and an album from  Marianne Faithfull (I have a soft spot for her songs – she could have had a different  life away from the shadow of Mick Jagger). Also a box with three LPs (Keith Jarret’s  solo concerts in Bremen and in Lausanne). A fruitfull Saturday